FILMEDIA100B

Specific topics may vary by term/year/instructor. This term's topic: Film as Industrial Art. Provides an overview of cinema made around the world from 1930 to the early 1960s, exploring how technological innovations in camera equipment, lighting, and editing tools transformed filmmaking practices across classical Hollywood, national cinema movements, and documentary and experimental film. We will analyze the evolution of film language through advances in color technology, sound recording, and equipment portability that expanded creative possibilities and reduced production costs. This course examines how funding structures, studio systems, and cultural storytelling traditions shaped output across different countries, while exploring cinema's emergence as mass communication through stardom and fan culture. Through analysis of films from the US, UK, Italy, India, USSR, Canada, Japan, and Mexico, including movements like British Kitchen Sink cinema and Japanese Sun Tribe films, students will develop comprehensive formal, historical, and theoretical frameworks for understanding this period's technical innovations and cultural significance.

Aesthetic and Interpretive Inquiry (AII)